Course Components, Paris Summer Program
返字心頭 enroll in a month-long, 3-6 credit course entitled "Dance and Culture in
               Paris." This course is designed as an immersion in Parisian culture from the point
               of view of the dancer. The course is divided into three major components: technique,
               composition and history.
 
 返字心頭 are exposed to a variety of technique classes each weekday from modern to
               ballet to yoga, as well as classes in physical theatre, improvisation and choreography
               depending on the summers particular faculty and course offerings.
 
 The purpose of the afternoon choreographic workshops (le d辿rive  "the drift") is
               to foster an understanding between the choreographer and the urban landscape: What
               kinds of inspirational materials can be used in choreography? What kinds of images
               can be distilled into gestures or phrase work? How does the urban landscape inspire
               different movement choices? How does the history of a certain location influence
               ones choreographic choices?
 
 返字心頭 visit specific Parisian neighborhoods and explore the architecture, ambience
               and sub-culture of that area, and transform their observations into a short piece
               of solo choreography. Among the areas students will be investigating: P竪re Lachaise
               Cemetery, le St. Louis, Montmartre, the Marais, Viaduct des Arts, the Latin Quarter,
               Les Halles, the Passages, and the Canal St. Martin.
 
 返字心頭 are given studio time to work on their choreographic projects, as well as
               receiving feedback from the faculty. The purpose of the studio time is to create a
               short study/piece of choreography based on students observations, assigned readings,
               field work, personal journals and sensations. The final pieces are performed in an
               informal setting to an invited audience.
 
 Seminars are conducted by faculty member Madison Mainwaring to contextualize some
               of the historical and social lenses with which students experience dance in France. 
               These seminars will require students to participate in the conversation of ideas around
               race, gender, aesthetics, social mobility, and their relationship to dance on the
               Continent.  Assigned readings will accompany these seminars.
 
 Grading is based on weekly projects, journals, a final paper assignment, and pro-active
               engagement in all aspects of the Program.